{"id":71,"date":"2019-12-02T08:19:45","date_gmt":"2019-12-02T07:19:45","guid":{"rendered":"https:\/\/www.babelfilmfestival.com\/wp\/?page_id=71"},"modified":"2021-01-16T11:51:15","modified_gmt":"2021-01-16T10:51:15","slug":"precedenti-edizioni","status":"publish","type":"page","link":"https:\/\/www.babelfilmfestival.com\/it\/precedenti-edizioni\/","title":{"rendered":"Precedenti Edizioni"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\"><strong>Premio Maestrale Miglior lungometraggio&nbsp;<\/strong><\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>IL LORO NATALE<br><\/strong>di Gaetano Di Vaio (Italia 2010, o.l. napulitano)<\/li><li>Menzione speciale: <strong>NOVENA<\/strong><br>di Enrique Collar (Netherlands 2010, o.l. guaran\u00ec)\u00a0<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>URTEBERRI ON, AMONA<br><\/strong>di Telmo Esnal (Spagna 2011, o.l.: euskera)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SONG OF MY MOTHER<br><\/strong>di Erol Mintas (T\u00fcrkiye 2014, o.l.: kurd\u00ee)<\/li><li>Menzione speciale: <strong>NALLUA<\/strong><br>di Christian Mathieu Fournier (Canada 2015, o.l.: inuktitut)\u00a0<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>AMAMA<\/strong><br>di Asier Altuna (Spagna 2015, o.l: euskera)<\/li><li>Menzione speciale: <strong>LA GUERRA DEI CAFONI<\/strong><br>di Davide Barletti | Lorenzo Conte (Italia 2017, o.l.: griko bizantino \/ dialetti pugliesi)\u00a0<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>WE WILL BE HAPPY ONE DAY<br><\/strong>di Pawel Wysocza\u0144ski (Polonia, 2011, o.l.: silesian\/polish, subt.: eng.\/ita.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Premio Maestrale Miglior documentario&nbsp;<\/strong><\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>RUMORE BIANCO<br><\/strong>di Alberto Fasulo (Italia 2008, o.l: furlan)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>MY MARLBORO CITY<br><\/strong>di Valentina Pedicini (Italia 2010, o.l.: dialetto brindisino)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>THE SILENT CHAOS<br><\/strong>di Antonio Span\u00f2 (Francia 2012, o.l.: L.I.S., kinande, swahili)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SOLO ANDATA, IL VIAGGIO DI UN TUAREG<br><\/strong>di Fabio Caramaschi (Italia 2010, o.l.: tamasheq)<\/li><li>Menzione speciale: <strong>SK\u00c0TTOME KANN\u00d2<\/strong><br>di Christian Manno e Pantaleo Rielli (Italia 2015, o.l.: griko)\u00a0<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>NUJ\u00ceN<\/strong><br>di Veysi Altay (Turchia 2016, o.l.: kurd\u00ee)<\/li><li>Menzione speciale: <strong>INNER ME<\/strong><br>di Antonio Span\u00f2 (Italia 2016, o.l.: kiswahili \/ LIS)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>DIARIO GUARAN\u00cc<\/strong> (ex aequo)<br>Marcelo Martinessi (Paraguay, 2016, o.l.: Guaran\u00ec\/espa\u00f1ol, subt.: ita.)<\/li><li><strong>JAINKOAK EZ DIT BARKATZEN<\/strong> (ex aequo)<br>Josu Martinez (Spagna, 2018, o.l.: euskera, subt.: eng.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Premio Maestrale Miglior cortometraggio&nbsp;<\/strong><\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>AMONA PUTZ!<br><\/strong>di Telmo Esnal (Spagna 2009, o.l.: euskera)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>KARAI NORTE<br><\/strong>di Marcelo Martinessi (Paraguay 2009, o.l.: guaran\u00ec)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>CALLE ULTIMA<br><\/strong>di Marcelo Martinessi (Paraguay 2011, o.l.: guaran\u00ec)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>R\u00daBA\u00cd<\/strong><br>di Louise N\u00ed Fhiannachta (Eire 2013, o.l.: gaeilge)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>IL SILENZIO<br><\/strong>di Farnoosh Samadi | Ali Asgari (Italia 2016, o.l.: kurd\u00ee)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>IN OUR SYNAGOGUE<br><\/strong>Ivan Orlenko (Francia, 2018, o.l.: Yiddish, subt.: eng.)<\/li><li>Menzione speciale: <strong>ANTOLINA<\/strong><br>Aguero Miguel \u00c1ngel (Paraguay, 2014, o.l.: guaran\u00ec)<\/li><li>Menzione speciale: <strong>NOR NORI NORK<\/strong><br>Estilabiz Urresola (Spagna, 2018, o.l.: euskera)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Diritto di parola&nbsp;<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>AFRIKAAPS<\/strong><br>di Dylan Valley (Sud-Afrika 2010, o.l.: afrikaans)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>4 BHANRIONS<br><\/strong>di Vittoria Colonna (Irlanda 2012, o.l.: gaeilge)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>LETTERS TO TACLOBAN<br><\/strong>di Claudio Accheri (UK 2014, o.l.: waray-waray)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>FUTURO PROSSIMO<br><\/strong>di Salvatore Mereu (Italia 2017, o.l. sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>LA NOTTE DI CESARE<br><\/strong>Sergio Scavio (Italia, 2018, o.l.: sassarese, ita.)<\/li><li>Menzione speciale: <strong>LA GITA<br><\/strong>Salvatore Allocca (Italia, 2018, o.l.: dialetto napoletano,)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Unica Citt\u00e0 di Cagliari<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>I\u2019M NOT FAMOUS BUT I\u2019M AROMANIAN<\/strong><br>di Enache Toma (Romania 2013, o.l.: arm\u00e3neshce)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>CONTAINER 158<br><\/strong>di Stefano Liberti ed Enrico Parenti (Italia 2013, o.l.: roman\u00ec)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>BINX\u00caT (Sotto il confine)<br><\/strong>di Luigi D&#8217;Alife (Italia 2017, o.l.: kurd\u00ee)<\/li><li>Menzione speciale: <strong>COLOURS OF THE ALPHABET<\/strong><br>di Alastair Cole (Scozia 2016, o.l.: soli, nyanja, bemba)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>B\u00ceR (WELL)<br><\/strong>Veysi Altay (Turchia, 2018, o.l.: kurdish)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Italymbas<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>LA MORTE SULL\u2019ALBERO<\/strong><br>di Renato Morelli (Italia 1982, o.l.: ladin)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>OSTANA VIVA, VIVA OSTANA<\/strong><br>di Elisa Nicoli (Italia 2017, o.l.: occitano)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>ANIMA<\/strong><br>Joseph Peaquin (Italia, 2019, o.l.: francoprovenzale \/ italiano)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio One Wor(l)d<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>HAMOU BEYA di Andrey Samout\u00e9 Diarra (Mali 2014, o.l.: bambara, bozo)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>HALABJA THE LOST CHILDREN di Ekrem Heydo (Germania 2011, o.l.: kurd\u00ee)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio FICC, premio del pubblico&nbsp;<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>PANAS<br><\/strong>di Marco Antonio Pani (Italia 2006, o.l.: sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SA R\u00c8GULA<br><\/strong>di Simone Contu (Italia 2007, o.l.: sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>EVO\u2019 CE ESU\u2019<br><\/strong>di Christian Manno e Pantaleo Rielli (Italia 2013, o.l.: griko, salentino)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>ANIMAL PARK<br><\/strong>di AFEA (Italia 2014, o.l.: kinande)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>EADRAINN F\u00c9IN [Between us]<br><\/strong>di Daith\u00ed O Cinn\u00e9ide (Ireland 2016, o.l.: gaeilge)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>ANTI<\/strong><br>Josu Martinez (Spagna, 2019, o.l.: euskara, subt.: eng.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Cineclub Fedic di Cagliari<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>YAZIDI D\u2019ARMENIA<br><\/strong>di Ignazio Mascia (Italia 2015, o.l.: hayeren)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SPOON RIVER A LAMPEDUSA<br><\/strong>di Rosario Santella (Italia 2017, o.l.: dialetto siciliano)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SU BOI E SU DOMADORI<br><\/strong>Francesco Fadda (Italia, 2019, o.l.: sardu campidanese \/ italiano, subt.: ita.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio AAMOD (Archivio Audiovisivo del Movimento Operaio e Democratico)<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>S\u2019ORCHESTRA IN LIMBA<br><\/strong>di Monica Dovarch (Germania 2015, o.l.: sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>IL CLUB DEI CENTENARI<br><\/strong>di Pietro Mereu (Italia 2016, o.l.: sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>DONKEYSHOT<\/strong><br>Vincenzo Mineo (Italia, 2018, o.l.: italiano\/siciliano, subt.: ita.<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio L&#8217;AURA al miglior autore sardo<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SU BATTILEDDU<br><\/strong>di Cinzia Puggioni (Italia 2014, o.l.: sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SU BOI E SU DOMADORI<\/strong><br>Francesco Fadda (Italia, 2019, o.l.: sardu campidanese \/ italiano, subt.: ita.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Diari di Cineclub<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>B\u00ceRA MI&#8217; T\u00caTIN<\/strong><br>di Selim Y\u0131ld\u0131z (Turchia 2016, o.l.: kurd\u00ee)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>WE WILL BE HAPPY ONE DAY<\/strong><br>Pawel Wysocza\u0144ski (Polonia, 2011, o.l.: silesian\/polish, subt.: eng.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Maestrale Citt\u00e0 di Cagliari *<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>VIA MEILOGU 18<br><\/strong>di Salvatore Mereu (Italia 2010, o.l.: wolof \/ roman\u00ec)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>BARCELONA EN DOS COLORS<br><\/strong>di Alberto Diana (Italia, 2011, o.l.: catal\u00e0)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>DU &amp; ICH<br><\/strong>di Isik Esen (Svizzera 2011, o.l.: schwizert\u00fctsch)<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>[* il premio \u00e8 stato unificato con il Premio Unica dal 2015]<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio Golden Spike&nbsp;<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>THE BROKEN MOON<br><\/strong>di Marcos Negr\u00e0o e Andre Rangel (Brazile 2010, o.l.: ladakhi)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SANPIT \/ VELENO<br><\/strong>di Enrico Pitzianti, Giuseppe Petitto, G.Luca Pulcini (Italia 2001, o.l.: issan)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio NUCT al miglior autore sardo<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>S&#8217;ANIMU<br><\/strong>di Marina Anedda (Italia 2009, o.l.: sardu)<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SARDANDENDI &#8211; ANDES<br><\/strong>di Roberta Aloisio (Italia 2010, o.l.: shipibo)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Premio HOLDEN al miglior autore sardo<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>MOGURU<\/strong> (ex aequo)<br>di Andrea Cannas (Italia 2012, o.l.: sardu)<\/li><li><strong>17 MAGGIO 1943. LO SILENCI TRONCAT<\/strong> (ex aequo)<strong><br><\/strong>di Gianfranco Fois (Italia 2012, o.l.:\u00a0 algueres)\u00a0<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>LA TERRA AL SUO CIELO<br><\/strong>di Paola Mereu (Italia 2013, o.l.: sardu)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Pr\u00e8miu Umanitaria \u2013 Premio Umanitaria<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>FILINDEU 2.0<br><\/strong>Antonio Sanna (Italia, 2019, o.l.: sardu nuorese, subt.: ita.)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Giuria Ufficiale<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">2010<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>Giorgio Diritti (presidente), Marco Asunis, Gianni Canova, Silvia Negrotti, Anna Pavignano<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2011<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>Edoardo Winspeare (presidente), Aldo Fittante, Elisabetta Randaccio, Maurizio Braucci, Maria Gonzalez Gorosarri<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2013<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>Roberta Torre (presidente), Steve Della Casa, Onno Falkena, Alvaro Petricig, Alessandro Fiorina<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2015<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>Daniele Cipr\u00ec (presidente), Mauro Gervasini, Telmo Esnal, Antonia Iaccarino, Fredo Valla<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2017<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>Laura Delli Colli (presidente), Peter Forgacs, Marcelo Martinessi, Abeer Nehme, Sergio Naitza, Gary Funk, Vincenzo Santoro<\/li><\/ul>\n\n\n\n<h6 class=\"wp-block-heading\">2019<\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li>Fiorella Infascelli (presidente), Mario Brenta, Michela Anedda, Daniele Maggioni, Crystal Dawn Jerome, Davyth Hicks, Marco Antonio Pani<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Premio Maestrale Miglior lungometraggio&nbsp; 2011 IL LORO NATALEdi Gaetano Di Vaio (Italia 2010, o.l. napulitano) Menzione speciale: NOVENAdi Enrique Collar (Netherlands 2010, o.l. guaran\u00ec)\u00a0 2013 URTEBERRI ON, AMONAdi Telmo Esnal&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-71","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/71","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":0,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/71\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/media?parent=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}