{"id":5989,"date":"2024-08-08T09:26:24","date_gmt":"2024-08-08T07:26:24","guid":{"rendered":"https:\/\/www.babelfilmfestival.com\/?page_id=5989"},"modified":"2024-08-08T10:17:03","modified_gmt":"2024-08-08T08:17:03","slug":"edizione-2023","status":"publish","type":"page","link":"https:\/\/www.babelfilmfestival.com\/it\/edizione-2023\/","title":{"rendered":"Vincitori Edizione 2023"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Premio Maestrale Miglior lungometraggio<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>NEIGHBOURS<br><\/strong><em>Mano Khalil<\/em> (Svizzera, 2021, m.l.: kurd\u00ed)<\/li>\n\n\n\n<li>Menzione speciale:\u00a0<strong>Y S\u0174N<\/strong><br><em>Lee Haven Jones<\/em> (Galles, 2023, m.l.: welsh)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Maestrale Miglior documentario<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>ULDERICA, FRUTA DI MONT<\/strong><br><em>Stefano Giacomuzzi<\/em> (Italia, 2023, m.l.: furlan)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Maestrale Miglior cortometraggio<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>TAKANAKUY<br><\/strong><em>Gustavo Vokos<\/em> (Brasile, 2022, m.l.: quechua)<\/li>\n\n\n\n<li>Menzione speciale:\u00a0<strong>THINGS UNHEARD OF<\/strong><br><em>Ramazan Kilic<\/em> (Turchia, 2023, m.l.: kurd\u00ed)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Unica Citt\u00e0 di Cagliari<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>MALAFEDE<br><\/strong><em>Chiara Borsini | Marialuisa Greco | Paolo Corazza<\/em> (Italia, 2022, m.l.: dialetto campano)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio ONE WOR(L)D<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>MAMODY, THE LAST BAOBAB DIGGER<\/strong><br><em>Cyrille Cornu<\/em> (Francia, 2022, m.l.: mahafaly)<\/li>\n\n\n\n<li>Menzione speciale:\u00a0<strong>LA BANYERA<\/strong> <strong>[<em>The Bathtub<\/em>]<\/strong><br>Sergi Mart\u00ed Maltas (Spagna, 2021, m.l.: catal\u00e0)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Umanitaria<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>AMEI TE VER<\/strong><br><em>Ricardo Garcia<\/em> (Brasile, 2023, m.l.: libras \u2013 lingua dei segni portoghese)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pr\u00e8miu | Premio Deretu de Faeddare | Diritto di Parola<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>FAULAS<br><\/strong><em>Michela Anedda<\/em> (Italia, 2023, m.l.: sardu)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Italymbas<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>CARA A SU &#8216;ENTU<\/strong><br><em>Andrea Deidda<\/em> (Italia, 2023, m.l.: sardu)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio del pubblico FICC<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>SU BOI E SU DOMADORI<\/strong><br>Francesco Fadda (Italia, 2019, o.l.: sardu campidanese \/ italiano, subt.: ita.)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Diari di Cineclub<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>SAR [THE COLD]<\/strong><br><em>Adar Baran Deger<\/em> (Turchia, 2021, m.l.: kurd\u00ed)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Cineclub FEDIC Casteddu<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>TRE VOLTE ALLA SETTIMANA<br><\/strong><em>Emanuele Vicorito<\/em> (Italia, 2022, m.l.: napoletano)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio del pubblico FICC<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>SU BOI E SU DOMADORI<\/strong><br>Francesco Fadda (Italia, 2019, o.l.: sardu campidanese \/ italiano, subt.: ita.)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Diari di Cineclub<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>SAR [THE COLD]<\/strong><br><em>Adar Baran Deger<\/em> (Turchia, 2021, m.l.: kurd\u00ed)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Cineclub FEDIC Casteddu<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>TRE VOLTE ALLA SETTIMANA<br><\/strong><em>Emanuele Vicorito<\/em> (Italia, 2022, m.l.: napoletano)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio AAMOD<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>33\u201966\u00b0<\/strong><br><em>Matteo Leonardo Sanders<\/em> (Austria, 2022, m.l.: tirolese)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Ostana &#8211; Scrittura in lingua madre<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>L&#8217;ULTIMA HABANERA<\/strong><br><em>Carlo Costantino Licheri<\/em> (Italia, 2020, m.l.: sardu)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premio Diari di Cineclub<\/strong><\/p>\n\n\n\n<ul 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Umanitaria Pr\u00e8miu | Premio Deretu de Faeddare | Diritto&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5989","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/5989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/comments?post=5989"}],"version-history":[{"count":3,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/5989\/revisions"}],"predecessor-version":[{"id":6002,"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/5989\/revisions\/6002"}],"wp:attachment":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/media?parent=5989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}