{"id":538,"date":"2019-12-03T00:38:39","date_gmt":"2019-12-02T23:38:39","guid":{"rendered":"https:\/\/www.babelfilmfestival.com\/wp\/?post_type=babel_academy&amp;p=538"},"modified":"2019-12-03T00:38:39","modified_gmt":"2019-12-02T23:38:39","slug":"the-cinematic-project","status":"publish","type":"babel_academy","link":"https:\/\/www.babelfilmfestival.com\/it\/babel-academy\/the-cinematic-project\/","title":{"rendered":"THE CINEMATIC PROJECT"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.babelfilmfestival.com\/wp\/wp-content\/uploads\/2019\/12\/20191120133914_1920-e1575318112898.jpg\" alt=\"\" class=\"wp-image-218\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">To create a film, a good idea or a good story is not enough. It also requires planning capable of identifying the starting points to orient the editing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cinematographic planning is not an abstract or arbitrary thing, based on the whims of whoever would like to make a film. It is a precise, concrete stage for any type of production. In the initial choice of the desired relationship with the audience, the destiny of a film is often decided.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It requires thoughts on how to transform the initial idea into a narrative, which perspective or vision would be the most effect for its presentation, and finally how to go about finding the necessary resources.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Daniele Maggioni<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniele Maggioni is a producer, director, screenwriter and vocational teacher who has worked in cinema, mainly independent and research cinema, for forty years.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He produced feature films, documentaries and short films which were selected by national and international festivals, among which&nbsp;<em>Pane e tulipani<\/em>&nbsp;(Bread and Tulips, David di Donatello Award 2000, Quinzaine des realisateurs\/Cannes) directed by S. Soldini, and more recently the documentary&nbsp;<em>Surbiles<\/em>&nbsp; by G. Columbu (Locarno 2017).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He wrote the screenplay for the films&nbsp;<em>Come l\u2019ombra<\/em>&nbsp;and&nbsp;<em>Il mio domani<\/em>&nbsp;(directed by M. Spada), and with M. G. Perria and L. Perini, he wrote and directed the film&nbsp;<em>Nel mondo grande e terribile<\/em>&nbsp;(on the life and works of Antonio Gramsci), officially selected for 2017 Shangai Festival.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He was the director of the School of Cinema in Milan, and published many articles on various specialised magazines and catalogues, as well as a monograph about Joris Ivens (with S. Cavatorta) for the publisher Castoro Cinema, and the textbooks&nbsp;<em>Professione Filmmaker&nbsp;<\/em>&nbsp;(1997) published by Mondadori and&nbsp;<em>Il filmmaker digitale<\/em>&nbsp;(2008) published by Hoepli.<\/p>\n","protected":false},"featured_media":218,"template":"","class_list":["post-538","babel_academy","type-babel_academy","status-publish","has-post-thumbnail","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/babel_academy\/538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/babel_academy"}],"about":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/types\/babel_academy"}],"wp:attachment":[{"href":"https:\/\/www.babelfilmfestival.com\/it\/wp-json\/wp\/v2\/media?parent=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}